In May of 2020 I was urged to start drawing with my daughter and granddaughter on Thursday nights. Initiated by a group of teachers, exemplary illustrators, all to join together while Covid was raging. This small weekly effort has continued and only grown stronger. As a family, the 3 of us try our best to capture what is presented, a series of 4 photographs with a 20 minute limit for each one. Of course the time limit is up to each artist, if they desire to concentrate on only 1 for the full hour and a half, then so be it. My daughter, a graduate of VCU, felt rusty. I felt completely out of my league, and Felicity the granddaughter took to it like a seasoned pro with no worries. We are now called "The Legacy Family" when it comes to review and critique on Instagram through the tag "Illustration Isolation".
After a bit of indecision, I settled on watercolor because I'm insane! Most artist will agree that it is one of the hardest, if not THE hardest of mediums. I studied on my own, took an online class and just plodded along. Slowly I've felt like it might be coming together, some nights are really bad, others are wonderful. It's clear that I am improving, and you can't ask for more. Since the majority are portraits, the challenge is getting something that kind of looks like the person you are drawing. These are 2 of my latest, both of which I'm kind of happy with;
Since I am an artist, more the 3D kind, and a horticulturist, it's been interesting to see how my life is changing. In a retirement that is almost complete from estate gardening and lecturing, the garden is something that sits outside and paces itself with little intervention. Lovely groundcovers like Smilacina stellata, yellowroot, and epimedium do a good job at keeping weeds at bay, the seasons are complete with early bulbs and long lived perennials.
Recently I came across my college art binder, one of those large, zippered portfolios. From the mid 70's, it was a joy to look at these old drawings. I attended Northern Virginia Community College at night, worked at Roy Rogers during the day. Classes ended at 10:00 PM, I was at work at 7:00 AM. It was grueling. At the time, as freshman, we were not allowed nude models. This drove my drawing teacher crazy so he often posed for us without a shirt or brought in props that were essentially body parts (a leg, an arm, etc...).The sad part is that I never tagged him by name on my drawings and don't remember his name, but he was very inspirational.
In time we were allowed nude models, and I remember well the long studies with sweat dribbling down as they were required to sit perfectly still for up to an hour (with breaks of course). I also remember that they were paid $4.00 an hour!
My art supplies were purchased at the Hecht Company, a trip to Tyson's Mall.
Occasionally one of our fellow students would pose for us, it would be nice if someone might recognize themselves.
Of course there were single light source studies, draped fabric studies, and gesture drawing by the hundreds.
Evenually I landed a job at Kenny Roberts Garden Center and everything changed. I left college, fell in love with plants and began my dream of owning a nursery. Now 46 years later, I understand why I'm enjoying these drawing sessions so much. When the winds blow, you need to follow them. And if you are on Instagram, check out "Illustration Isolation" @visualartspassage. Such incredible talent on Thursday nights! Hopefully I will share a trio from all three of us. Three generations!
And for the moral of the story, write down the name of the person you are drawing. You might want to reconnect one day.